Latest Ranking on Cumulative Box Office ListsĪll Time Domestic Box Office (Rank 101-200)Īll Time International Box Office (Rank 401-500)Īll Time Worldwide Box Office (Rank 301-400) In 1995, Chuck Noland is a time-obsessed systems analyst, who travels the world resolving productivity problems at FedEx depots. theaters, 11.5 weeks average run per theater $85,000,000 (worldwide box office is 5.0 times production budget)Ģ,774 opening theaters/3,061 max. He realizes that losing everything he ever had and thought important was the best thing that could ever have happened to him.ħ.54 (domestic box office/biggest weekend) Chuck begins his true journey, however, as he faces the emotional ordeal of isolation.Īfter four years, Chuck returns to civilization as a profoundly changed man.
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Chuck, the consummate problem solver, eventually figures out how to sustain himself physically. Stripped of the conveniences of everyday life, he first must meet the basic needs of survival including water, food and shelter. He's the only survivor, and he washes up on a tiny island with nothing but some flotsam and jetsam from the aircraft's cargo. Then Chuck's plane to Malaysia ditches at sea during a terrible storm.
student, are in love and heading towards marriage. Chuck’s manic existence abruptly ends when, after a plane crash, he becomes isolated on a remote island—cast away into the most desolate environment imaginable. Chuck, a top international manager for FedEx, and Kelly, a Ph.D. His fast-paced career takes him, often at a moment’s notice, to far-flung locales—and away from his girlfriend Kelly.
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Because tomorrow the sun will rise.Chuck Noland is a FedEx systems engineer whose personal and professional life are ruled by the clock. But I'm so grateful that she was with me on that island. And one day my logic was proven all wrong because the tide came in, and gave me a sail. And all my logic said that I would never see this place again. I knew, somehow, that I had to stay alive. And that's when this feeling came over me like a warm blanket. And the weight of the log, snapped the limb of the tree, so I-I -, I couldn't even kill myself the way I wanted to. I made a rope and I went up to the summit, to hang myself. The only choice I had, the only thing I could control was when, and how, and where it was going to happen. I was gonna get sick, or get injured or something. 'cos I was never gonna get off that island. You may not feel the emotional rush that you're meant to feel, but Cast Away remains a respectable effort. Even the final scene-which feels like a crowd-pleasing compromise-offers hope without shoving it down our throats. With slow, rhythmic camera moves and brilliant use of sound, Zemeckis wisely avoids the postcard prettiness of The Black Stallion and The Blue Lagoon to emphasize the harshness of Chuck's ascetic solitude, and this stylistic restraint allows Cast Away to resonate more than one might expect. It's fascinating to witness Chuck's emerging survival skills, and Hanks's remarkable physical transformation is matched by his finely tuned performance.
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Following a mid-Pacific plane crash, movie number two chronicles Chuck's four-year survival on a remote island, totally alone save for a Wilson volleyball (aptly named "Wilson") that becomes Chuck's closest "friend." Movie number three leads up to Chuck's rescue and an awkward encounter with his ex-girlfriend Kelly (Helen Hunt, in a thankless role), for whom Chuck has seemingly risen from the grave. It's three movies in one, beginning when punctuality-obsessed Federal Express systems engineer Chuck Noland (Tom Hanks) departs on Christmas Eve to escort an ill-fated flight of FedEx packages. That may explain why the film's most emotionally powerful scene involves the loss of an inanimate object, even as it presents a heart-rending dilemma in its very human final act. While director Robert Zemeckis's earlier film Contact achieved a kind of mainstream spiritual significance, Cast Away falls just short of that goal. Cast Away is a good movie that wants to be much better.
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